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JMS Composer
Not classified 249

Piano & keyboards
Piano Quartet: piano, violin, viola, cello 10
Piano Trio: piano, violin, cello 3
Piano solo 3

Organ 2
Easy Piano 1

Piano Accompaniment 1
1 Piano, 4 hands 1

+ 2 instrumentations

- Retract

Guitars
Piano, Guitar (duet) 6

Voice
Choral SATB 2

Woodwind
Flute and Piano 63
Flute ensemble 53
Clarinet and Piano 48
Tenor Saxophone and Piano 41
Baritone Saxophone, Piano 40

Alto Saxophone and Piano 39
Soprano Saxophone and Piano 38
Oboe, Piano (duet) 37
English horn, Piano 25
2 Saxophones (duet) 24
Bass Clarinet, Piano 24
Clarinet 21
Saxophone Quartet: 4 saxophones 19
2 Flutes (duet) 18
Clarinet Ensemble 17
2 Clarinets (duet) 16
Flute Quartet: 4 flutes 8
3 Clarinets (trio) 7
2 Oboes (duet) 5
Oboe, Bassoon (duet) 5
Piccolo, Piano 5
Clarinet Quartet: 4 clarinets 5
3 Saxophones (trio) 4
2 English horns and Pianoforte 3
Flute, Oboe, Clarinet, Bassoon 2
Oboe, Harp 1
Flute Quintet : 5 flutes 1
Clarinet, Harp (duet) 1
Oboe, Cello 1
Flute Trio: 3 flutes 1
Bass Clarinet 1
Clarinet, Cello (duet) 1
English horn, Harp (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Oboe (duet) 1
Clarinet Quintet: 5 clarinets 1

+ 31 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 42
French Horn and Piano 36
Trombone and Piano 35
English horn, Piano 25
Trumpet, Piano 14

Trumpet 13
2 French horns (duet) 11
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
2 Trombones (duet) 6
2 Euphoniums (duet) 5
2 Trumpets (duet) 5
Tuba and Piano 4
Trumpet, Trombone (duet) 3
2 English horns and Pianoforte 3
2 Tubas (duet) 3
Brass Quartet: 2 trumpets, horn, trombone 2
Brass quartet : 2 trumpets, trombone, tuba 2
Brass Quartet: 4 trombones 2
Trombone, Tuba (duet) 1
English horn, Harp (duet) 1
3 Trombones (trio) 1
Brass Quartet: 4 horns 1
Euphonium, Tuba (duet) 1

+ 18 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 85
Viola, Piano 42
Violin and Piano 37
Cello, Piano 31
String Trio: violin, viola, cello 22

2 Violins (duet) 8
Harp 5
2 Violas (duet) 4
2 Cellos (duet) 4
Harp, Flute (duet) 3
2 Double basses (duet) 3
4 Cellos 3
String Trio: 3 cellos 3
Violin, Cello (duet) 3
Viola, Cello (duet) 2
Violin, Viola (duet) 2
Cello 2
Cello (band part) 1
String Quartet : 4 violas 1
Harp, Violin (duet) 1
Violin 1
Viola (band part) 1

+ 17 instrumentations

- Retract

Percussion & orchestra
String Orchestra 49
Concert band 8
Brass ensemble 4
Orchestra 1
Jazz Ensemble 1

Chamber Orchestra 1

+ 1 instrumentations

- Retract

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JMS Composer

Piano solo

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3 sheet music found

Pachelbel: Canon in D for Solo Piano

Pachelbel: Canon in D for Solo Piano #Piano solo #INTERMEDIATE #Classical #Johann Pachelbel #James M #Pachelbel: Canon in D for Solo #jmsgu3 #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Scor...(+)

Piano Solo - Level 3 - SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score. 4 pages. Jmsgu3 #700167. Published by jmsgu3 (A0.1096204). Score: 4 pages. Duration: 2:27. The famous Pachelbel Canon arranged for Solo Piano. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$32.95 ≈ 30.39€

Three Homages [piano solo]

Three Homages [piano solo] #Piano solo #INTERMEDIATE #Juan MarÃa Solare #Three Homages [piano solo] #Juan Maria Solare #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527...(+)

Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare ï»¿

$3.00 ≈ 2.77€

Nada que ver [piano]

Nada que ver [piano] #Piano solo #INTERMEDIATE #Juan MarÃa Solare #Nada que ver [piano] #Juan Maria Solare #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria Solare #3425193....(+)

Piano Solo - Level 3 - SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria Solare #3425193. Published by Juan Maria Solare (A0.596517). Nada que ver. mercenary waltz for piano The Spanish expression nada que ver has two senses: literal and idiomatic. In its broader sense, nada que ver is just that: there is nothing to see (this is what the police usually say when they want you not to stop). But as an idiom, nada que ver implies what you are saying is absolutely unrelated and therefore you are totally wrong. Why is this waltz mercenary? Because it is very direct, traditional and does not intend to experiment with anything. In addition to the original version (for solo piano) the composer has made one for violin and piano (which can be played without major problems with flute, or with clarinet with slight adaptations). Nada que ver is included in the album Sombras blancas [White Shadows], label Janus Music & Sound, JMS-014, and present in Spotify, Apple Music, Deezer and all the usual streaming services, in addition to iTunes or Amazon mp3. https://open.spotify.com/track/0POhB4VuQXsjrgSkHU3HkS The score comes in two sizes: reduced (two pages) and normal (three pages). You will choose one or the other depending on the power of your eyes and the size of your music stand. Juan MarÃa Solare, January 2018ï»¿

$2.00 ≈ 1.84€